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supported by 22 fans who also own “Frozen Majesty”
The first 30 seconds of "Revenge by Fire" convinced me to get the whole album! It is a face-melting blend of speed and black metal, reminiscent of Hellripper! KVAEN is a Swedish solo project much like Hellripper but many known guest musicians helped J. Björnfot in his endeavor. Altogether it is really a solid debut album, I loved the melodies and the pace changes in the second half too, ending with a "calm" instrumental one. Well-done!!
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supported by 21 fans who also own “Frozen Majesty”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end.
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supported by 20 fans who also own “Frozen Majesty”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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Beyond The Palest Star
by VORGA
featured on Bandcamp Radio Mar 29, 2024
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featured on Bandcamp Radio Mar 29, 2024
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featured on Bandcamp Radio Jan 19, 2024
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Life has gone on long enough
by NONE
supported by 19 fans who also own “Frozen Majesty”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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